性之睇驗

★ 1.3 播放：86萬 更新：2026-04-22
主演：TOP.SECRET 

工作電影學(xué)院畢業(yè)，出鎮(zhèn)桂申請與色情電影的公司，僅為男性的主任一職。第二天他聘為所有裸體的男孩，叫生產(chǎn)助理主任，必須變得習(xí)慣于使用臨時地點、 即興設(shè)置和濫用從一般公眾。生產(chǎn)的女主角，Sabine，成為他吸引，和這兩個最終加速晚上一起工作人員晚飯后。后來，金圭獲取報價主要生產(chǎn)公司工作的一部真正的電影。 　　

在線播放

劇情簡介

工作電影學(xué)院畢業(yè)，出鎮(zhèn)桂申請與色情電影的公司，僅為男性的主任一職。第二天他聘為所有裸體的男孩，叫生產(chǎn)助理主任，必須變得習(xí)慣于使用臨時地點、 即興設(shè)置和濫用從一般公眾。生產(chǎn)的女主角，Sabine，成為他吸引，和這兩個最終加速晚上一起工作人員晚飯后。后來，金圭獲取報價主要生產(chǎn)公司工作的一部真正的電影。 　　

導(dǎo)演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

斯克魯奇：圣誕頌歌

《斯克魯奇:圣誕頌歌》改編自1970年由阿爾伯特·芬尼主演的故事片，由傳奇作曲家兼作詞人萊斯利·布里庫塞創(chuàng)作。這部CG動畫將于2022年12月在Netflix首播。

河鰻

父親一去不返，原本在城市上班的阿亮，回到被遺忘的沙洲，寄居河邊破房子，在垃圾場打工。島民為土地公抬轎，被丟棄的神明都擠在寺廟中。阿亮發(fā)現(xiàn)神秘紅裙女子漂浮于河上，她似乎有著不堪回首的過去，或許她根本就是河鰻化身？視覺藝術(shù)家朱駿騰首部長片，取景于臺北市內(nèi)遭限制開發(fā)逾半世紀(jì)的社子島，建構(gòu)如夢似幻的幽靈地帶，以濃烈的符號和隱喻，展現(xiàn)實驗風(fēng)格，透過一段萍水相逢的奇遇，映照生命的困頓與無常，探索欲望與歸屬。柏林影展視角單元。