即刻觀影
劇情賞析
編輯推薦
藍(lán)調(diào)天后
維奧拉·戴維斯,查德維克·博斯曼,科爾曼·多明戈,格林·特魯曼,邁克爾·波茨,杰里米·薩默斯,約翰尼·科瓦內(nèi),泰勒·佩奇,杜山·布朗,約書亞·哈爾托,奎因·范安特衛(wèi)普,克洛伊·戴維斯,梅特·納塔利奧,約翰娜·埃爾米納·莫伊茲,Onyxx Noel,詹姆斯·西耶斯基,威廉·卡尼亞20世紀(jì)20 年代，在芝加哥的一場(chǎng)午后錄音中，樂(lè)隊(duì)成員們正在等待開(kāi)拓性的表演者、傳奇的“藍(lán)調(diào)之母”瑪·雷尼（奧斯卡金像獎(jiǎng)得主維奧拉·戴維斯飾），其間氣氛變得愈發(fā)緊張。錄音進(jìn)行到后期時(shí)，無(wú)畏又脾氣火爆的瑪和其白人經(jīng)紀(jì)人及制作人就她的音樂(lè)控制權(quán)展開(kāi)了一場(chǎng)意志的較量。雄心勃勃的小號(hào)手列維（查德維克·博斯曼飾）非常欣賞瑪?shù)呐笥?，并決心在音樂(lè)行業(yè)中占有一席之地，當(dāng)樂(lè)隊(duì)在工作室幽閉的排演室中等待時(shí)，他促使樂(lè)手們爆出揭露真相的故事，這將永遠(yuǎn)改變他們的生活?！端{(lán)調(diào)天后》根據(jù)兩次普利策獎(jiǎng)得主奧古斯特·威爾遜的戲劇改編而成，歌頌了藍(lán)調(diào)的變革力量以及那些拒絕讓社會(huì)偏見(jiàn)左右自己價(jià)值的藝術(shù)家。該電影由喬治·烏爾夫執(zhí)導(dǎo)，魯本·桑地亞哥-哈德森進(jìn)行劇本改編，憑借《藩籬》榮獲奧斯卡獎(jiǎng)提名的丹澤爾·華盛頓和托德·布萊克擔(dān)任制片人?？茽柭ざ嗝鞲辍⒏窳帧ぬ佤斅?、邁克爾·波茨、泰勒·佩姬、杜山·布朗擔(dān)任聯(lián)合主演，艾美獎(jiǎng)得主布蘭福德·馬薩利斯進(jìn)行配樂(lè)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
婚前脫單快樂(lè)
Katlego Lebogang,Siya Sepotokele Raymond...
納粹僵尸
Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
妖獸都市
黎明,李嘉欣,仲代達(dá)矢,張學(xué)友,張耀揚(yáng),李若彤,袁和平,葉山麗子故事發(fā)生在未來(lái)世界，阿龍（黎明 飾）和阿強(qiáng)（張學(xué)友 飾）都是抓捕妖獸的特警隊(duì)警員，但是上司（袁和平 飾）非常器重阿龍，而對(duì)阿強(qiáng)就戒心重重。阿強(qiáng)氣不過(guò)在酒吧買醉，得到了女友（李若彤 飾）的支持寬慰。然而，他心頭總是籠罩著陰影——原來(lái)阿強(qiáng)的母親也是妖獸，后來(lái)他把這個(gè)隱秘告訴了阿龍。阿龍也坦白了自己跟妖獸幻姬（李嘉欣 飾）的一段感情…… 此后，阿龍?jiān)谝淮巫ゲ对笞冢ㄖ俅_(dá)矢 飾）的行動(dòng)中，重逢了現(xiàn)已成為元妻的幻姬，情急之下卻要引出重重誤會(huì)。其實(shí)，元大宗是要跟人類合作的妖獸，但是另有一股液態(tài)妖獸正在肆虐地侵襲這個(gè)城市。在對(duì)抗液態(tài)妖獸的過(guò)程中，阿龍與幻姬的感情經(jīng)歷了生死的考驗(yàn)，但是元大宗的兒子鬼眾道（張耀揚(yáng) 飾）卻設(shè)計(jì)離間意圖消滅人類，與此同時(shí)阿強(qiáng)也發(fā)現(xiàn)了特警隊(duì)的叛徒……
替補(bǔ)悍警
鮑勃·奧登科克,琳娜·海蒂,布倫丹·弗萊徹,亨利·溫克勒,布萊恩·川上,莎莫·H·豪威爾,德里克·巴恩斯,杰西卡·麥克勞德,Dan De Jaeger,Reena Jolly,勞倫·科克倫,大衛(wèi)·勞倫斯·布朗,卡森·納特拉斯,彼得·新田,辻將太,辛妮·比斯頓,比利·麥克萊倫,瑞恩·艾倫,艾倫·默克,Takahiro Inoue故事發(fā)生在一個(gè)名為“諾莫”的偏遠(yuǎn)小鎮(zhèn)，這里看似風(fēng)平浪靜，實(shí)則暗流涌動(dòng)。主角尤利西斯在上一任警長(zhǎng)離奇意外身亡后，被委任為臨時(shí)警長(zhǎng)。當(dāng)鎮(zhèn)上的銀行被一對(duì)來(lái)自外地的夫婦搶劫時(shí)，尤利西斯趕到現(xiàn)場(chǎng)，卻發(fā)現(xiàn)這座小鎮(zhèn)平靜的表象下隱藏著更為險(xiǎn)惡的深層秘密——從酒保到神父，鎮(zhèn)上的每個(gè)人都是秘密的參與者。而一直試圖逃避過(guò)去心魔的尤利西斯，此刻必須揭開(kāi)這場(chǎng)犯罪陰謀的全部真相。