在線播放
劇情簡介
當一個籃球運動員與一個殘暴的犯罪首領發(fā)生牽連時,他發(fā)現(xiàn)自己陷入了危險之中。這個犯罪首領有意讓他墮落和操控
同類好片
小鎮(zhèn)殺手
尼可拉斯·布若,烏爾里奇·湯姆森,Mia Lyhne,琳恩·瑪麗亞·克里斯滕森,馬辛·多洛辛斯基,Gwen Taylor,索倫·莫靈,碧爾特·諾伊曼,Ole Thestrup,Elsebeth Steentoft,Joel Spira,珍斯·安德森,Alexander Behrang Keshtkar,約翰·路易斯·施密特,Mikkel Arendt,金·柯爾德索命哨
達芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內(nèi)特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚,Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利大佛回國
Philip Granger,Toshi Toda,寶田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,螢雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei ?sako,Norman England鄰人X 奇怪的她
上野樹里,林遣都,黃姵嘉,野村周平,川瀨陽太,島田久作,原日出子,笨蛋節(jié)奏,酒向芳玩具熊的五夜后宮:紫色的淚
Bomber Hurley Smith無約而至
李京沐,李若寧,張子棟,于月仙,秦衛(wèi)東,王雙寶導演精選
玩具熊的五夜后宮:紫色的淚
當10個年輕人去探索一家廢棄的比薩店時,他們很快就知道,他們將不得不為自己的生命而戰(zhàn),同時試圖揭開比薩店令人不安的歷史。
熊貓計劃之部落奇遇記
神秘部落規(guī)矩離奇,怪事接連不斷!?熊貓胡胡和國際巨星Jackie(成龍 飾)意外穿越進入與世隔絕的原始部落!擁有大小黑眼圈的憨萌熊貓胡胡竟被奉為“天降神獸”,還被族人們予以重任,堅信她能化解部落危機。為守護胡胡,Jackie只得與怪異的族人們斗智斗勇:偶爾御風飛翔的族長(馬麗 飾)、偶爾萌猛反差的勇士強杉(喬杉 飾)、偶爾神力附體的王子圖魯(于洋 飾)和全程身手不凡的公主紗依(王影璐 飾),這場奇遇又會藏著怎樣的爆笑冒險?胡胡能否化解部落的危機?神秘的部落背后又會隱藏著怎樣的古老秘密?
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster