劇情簡(jiǎn)介
明治中期，九州賭徒幫派矢野組組長(zhǎng)被人暗殺，其獨(dú)女龍子（藤純子暫無內(nèi)容飾）解散幫會(huì)，以父親尸體旁遺落的錢包為線索四處尋找兇手。龍子懷揣小太刀，五年間走遍全國(guó)各地的賭場(chǎng)，因出色的賭技而贏得“紅牡丹阿龍”的綽號(hào)。
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北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達(dá)什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.聚焦追夢(mèng)女孩伊登的納什維爾驚魂：懷揣音樂夢(mèng)的她移居鄉(xiāng)村音樂之都，與音樂大亨之子杰克斯墜入愛河，卻在甜蜜中發(fā)現(xiàn)多起與杰克斯相關(guān)的女性連環(huán)命案。隨著調(diào)查深入，家族的黑暗秘密層層揭開，伊登驚覺自己早已身陷致命陷阱。
戰(zhàn)栗驅(qū)魔
漢娜·邦·本茲,迪恩·基爾貝,Nicholas AnscombeAn exorcism goes horribly wrong and unleashes a vengeful spirit that has been locked up for centuries.
迪瓦塔·繆斯
一位菲律賓祖母即將步入晚年，她放棄了自己的八十歲生日聚會(huì)，去召喚她早已去世的孫女的靈魂，試圖通過壓抑的記憶來彌補(bǔ)過去的過錯(cuò)。
養(yǎng)鬼吃人4
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半身死靈
大島優(yōu)子,山崎真實(shí),螢雪次朗,阿部進(jìn)之介在近代日本坊間流傳著這樣一個(gè)傳說，名叫島禮子的美麗少女被美國(guó)大兵輪奸，在此之后她精神失常，臥軌而死。島禮子一縷幽魂不散，化作只有上半身的恐怖惡靈。它極端憎惡紅色，每晚出沒在橫跨鐵路的天橋上，并在路過之人背后發(fā)出“嗒卡嗒卡”的聲音。一旦路人回頭，它便將對(duì)方攔腰斬?cái)?。即使僥幸逃過，在接下來的72小時(shí)內(nèi)也必然遭到“嗒卡嗒卡”的獵殺?！ 「咧猩倥髽蚩赡危ù髰u優(yōu)子 飾）的好友綾花夜歸遭遇“嗒卡嗒卡”，遇害身亡?？四卧诩腊莺糜褧r(shí)，同樣見到這個(gè)恐怖惡靈，不過僥幸逃脫。然而死亡的陰影仍然籠罩在她的頭上，在女大學(xué)生平山理繪（山崎真實(shí) 飾）的幫助下，她們一同出發(fā)尋找求生的辦法……